Tuesday, October 28, 2008

in the pocket (new edit)

the recurring blurring dream of three odd years
was you last night.
the scene
is on a speeding train out of a tunnel into daylight.
my eyes lift again
this time to find
it is you.
you are all hair and pearly whites.
you are a beautiful mean-ass bronco
licking sugar from my hand.

and (usually) in my dream
at the destined stop,
the outlaw rises -
and (typically) tucking away his pistol -
he winks my smile away
and exits the train.
he meets the platform whistling.

i press my hand against a stack of unread letters in the pocket
of a shirt i thought he wore.
the window fogs
and i wake.

last night
I saw that it was you.
you drew a solid deep breath and smiled.
your hands entwined with mine.
you missed your stop in all that gazing.
i knew you were looking for someone else.
i reached into the pocket
of a shirt I thought you wore
and gave you my letters.

you tossed our bags out the racing train.
like convicts jumping cars
we stood on the edge
facing the past flying behind us.
our possessions,
only tiny brightly colored memories-
flickering embers swirling in the wind.

the recurring blurring dream of three odd years has changed.
i wake with this:
your face is a map lacking direction,
your gaze - a "no trespassing" sign,
your hands are delicate and strong,
your heart is a steady drum,
and
your neck and hair against my lips
(the scent of sweat and tobacco)
are as soft as any woman.
if we meet again
if the ground isn't racing beneath us
i know you'll recognize me.


2 comments:

Anonymous said...

I really like this poem - especially the waking description at the end ( " your neck and hair against my lips- with the scent of sweat and tobacco- are as soft as any woman's") But you've changed it recently. I read your entry about being careful when you do it after a long period of time. I was just wondering if you are ever afraid of losing pieces of a poem when you go back and re-edit. I am. I think editing sooner rather than later is safer. When I go back later I feel like I'll miss it. But I think it also may be preventing me from being happy with my work.

barbivee said...

have we met? i know this isn't sharky...

thank you. i love it too.
this one is about intimacy
about connection, familiarity, passion
and how it unexpectedly
and deeply moved me. it 'cracked my foundation'.
so i guess it's also about releasing expectations.

i really felt like the story veered off course a couple of times.
i just want to recount the dream and explain
how my connection with the man on the train
ultimately changed 'the dream'.


but to answer your question...No.
i'm not ever afraid to edit.
i took out references that now seem extraneous.
when i edit i try to continue to shape
the poems economically and still tell my story.
(the story i originally set out to tell)
don't you find yourself going off on tangents occasionally?
i'm better at "weeding" out when the material isn't as fresh.

thanks again!

i love the end of the poem too.
i hope i've expressed romantic optimism
through my sadness.
ah hell...
it's merely another 'unrequited love' poem...
but it is filtered through my own feelings
of the sweetest & purest affection.